Wednesday, February 16, 2022

CULT OF LUNA The Long Road North | Weekly Heavy Metal Album Review


Released by Metal Blade Records on February 11th, 2022

Quick Background
Cult of Luna is a Swedish post-metal band founded in 1998. They are known for pioneering music similar to the contemporary bands Neurosis and Isis. Cult of Luna have created a unique style of metal that is ambitious, epic, visceral, and drenched in emotion. In 2019 the band released A Dawn to Fear which was their seventh studio. It was the band's first studio album since Vertikal (2013) and first new material since Mariner (2016), their collaborative album with Julie Christmas. All of those three albums were very well received by fans and critics. I personally did not care much for Mariner but I really liked the other two. So let's see now how the new one stacks up to them. 

The Long Road North
From the get go we realize that the band's 8th studio album is big and cinematic sounding record. The almost 10 minute "Cold Burn" opens the album and goes straight to your jugular with a dark atmosphere and an engaging groove. The deep emotional screams which is one of my favorite trademarks of the band are soon to be heard. I was hooked on the first listen, 10 minutes of mid tempo headbanging. "The Silver Arc" features the same energy and emotional toll from the opening track but here it's combined with more ambience and soundscapes in the mid section of the song but it all builds up to a glorious heavy ending. 

"Beyond I" is s short track bring back some elements from Mariner. A female singer, Mariam Wallentin, who is an acclaimed Swedish jazz vocalist is the highlight of this melancholic piece. I went back to listen to Mariner and I really don't connect with that album, but I do like this song, specially the melody and how this songs bridges well into "An Offering To The Wild", which is the longest song on the album with almost 13 minutes. It takes its times with the instrumental sections, building very gradually. Actually this song features another guest the Canadian-American saxophonist, and composer Colin Stetson. You can hear his influence which brings a different flavor to the song.

"Into The Night" is different track altogether. It's almost like Gothic Metal. Very melancholic and slow tempo song in which singer Fredrik demonstrates his abilities singing with a clean voice from start to finish. The short instrumental "Full Moon" bridges us into the 10-min title track. After a Pink Floydian Live At Pompeii intro, the songs explodes in usual aggressive emotional screaming. I really enjoy the drum work on this record, but specially on this song, very tribal and groovy. After another burst of screams the songs calms down and fades out, to me that would already be a great ending for the album. But we still get another epic, the almost 12 minute long "Blood Upon Stone". We don't anything very different from the other songs, but still works, in this case is more of the same, but the same is really good, so why not? To really close the album is a shorter song "Beyond II". This was a fully opened interpretation of the song by Colin Stetson.

The Picky Guy
One could argue did we really need the last two tracks? Finishing with the title track and 54 minutes of music seems already quite fulfilling. Also the 3-min "Full Moon" is questionable. But other than that, not a lot to complain here. 

Wrap Up Opinion 
Cult of Luna have very productive the last few years. The emotions and dedication of the band in those albums in undeniable. The lack of fixed structures and templates gives the album an open and honest artistic vibe. The music takes you to different places from super heavy screams, to beautiful melodies, melancholic moments and ambient soundscapes. All these combined really appeals to me and I like this album a lot, so I am giving it 84/100, a very good album.



SCORE: 84/100
Genre: Post-Metal
Released by Metal Blade Records on February 11th, 2022

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Tuesday, February 8, 2022

SAXON Carpe Diem | Weekly Heavy Metal Album Review


Released by Silver Lining Music on February 4th, 2022

Quick Background
British heavy metal legends and leaders of the new wave of British heavy metal (NWOBHM) Saxon released their debut self titled album back in 1979.  During the 1980s, with classic releases such as 
Wheels of Steel & Strong Arm of the Law (1980), Denim and Leather (1981) and Power & the Glory (1983) Saxon established themselves among Europe's most successful metal acts.

Carpe Diem
Carpe Diem is their 23rd studio album and follow-up to 2018's Thunderbolt. A few weeks ago I praised Magnum for having 22 albums and Saxon has now even 23, probably some kind of record among heavy metal bands. Anyways, the new effort is comprised of 10 titanic tracks which are all between the 3 and 5 minute mark, except "The Pilgrimage". And let me start with it because it is my favorite song on the album. This 6:30 epic track builds up from a choir melody over keys into a clean guitar riff and finally the bass, rhythm guitar and drums set a groovy pace. It all reminds me a lot of "Crusader" which is a very good thing. The verse is epic, the bridge is contagious and the chorus is suitable for a live sing along. The mid instrumental section is also beautiful and the guitar solo melodic and tasteful. Biff Byford who is over 70 continues to sing well with his trademark voice, as with Bob Catley, this is quite remarkable. Overall the first half of the album is very strong, we get speed, energy, cool riffs and catchy choruses. The title track "Carpe Diem (Seize the Day)" opens the album with a trademark high tempo Saxon song but from the get go the album also sounds modern. Produced by Andy Sneap (Judas Priest, Accept) with Byford and Sneap mixing and mastering, Carpe Diem strikes the ear as an essential British metal statement with modern flavor. "Age of Steam" features a one minute cool intro with nice riffs and drum work, very upbeat song with great vocal lines and chorus. 

Another killer opening riff on "Dambusters", a future live favorite as well. This one features something we don't see very often anymore, a guitar solo very early in the song. There are harmonizing guitars, more solos, some with Wah-wah pedal, all and all the guitar players really shine in this one. "Remember the Fallen" is another one that we will probably see on their set-list as well. The song is about the Covid-19 pandemic, and how it has affected the world around us. The bridge is basically the lyrics that I have been questioning myself for 2 years now "Is it never-ending? Will we ever be free? How long will it take to bring normality?"

The Picky Guy
By the time we get to track number 6 "Super Nova" the best of the album is behind us and the loose of steam is visible.  Maybe a bit more of variability would do them well. Some highlights on the second half of the album are "Lady in Gray" with a slower tempo sludgy edge to it and "Black Is the Night" and its cool riffage and guitarwork.

Wrap Up Opinion 
After more than 40 years on the road, Saxon brings their impressive new album with bristling steel-clad riffery and proud intent, the band draws on a variety of ingredients from its career to keep it loyal to their roots but also sounding fresh and modern. They kept simple and straightforward, pure traditional heavy metal flourishing from their 80's success. What else to say? Despite being frontloaded, a very good album, deserving 82/100 and the attention of new and old fans. 



SCORE: 82/100
Genre: Heavy Metal
Released by Silver Lining Music on February 4th, 2022

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Sunday, February 6, 2022

STEVE VAI Inviolate | Weekly Heavy Metal Album Review


Released by Mascot Label Group on January 28th, 2022

Quick Background
Steve Vai is an American guitarist, composer, singer, songwriter, and producer. A three-time Grammy Award winner and fifteen-time nominee. He started his recording career in 1980 with Frank Zappa. In 1983, Vai began his career as a solo artist with his release of Flex-Able, and solidified his place as a virtuoso rock guitarist with his acclaimed 1990 release of Passion and Warfare. His discography consisted of nine studio albums before Inviolate. The previous one being 2016's Modern Primitive. 

Inviolate
Inviolate. is consequently Vai's tenth studio solo album. It features 9 songs in 47 minutes. The highlight of the album is his new gigantic, over the top Madmax inspired new guitar, the Hydra. I won't go into describing it here, but in the description below you can find a very interesting short interview only about this guitar. The opening track "Teeth of the Hydra" was written for and performed on the Hydra. It's a cool song with nice soundscapes a breakdown using the Hydras's harp that gives it a Indian music flavor. It mostly sounds like a 90's Vai or Satriani mid-tempo song. The single "Zeus in Chains"  picks up on the tempo a little and is a nice groovy song. Overall sounds very similar to the opening track so they flow nice into each other. I do like the main riff a lot and its variations specially as it is being played with a drum break. It gives the song its special character.  The video single "Little Pretty" is different, a jazzy song played on a Gretsch hollow body guitar and according to Vai features his best guitar solo ever. It's mesmerizing, do yourself a favor and check it out. 

"Candlepower" reminds me of "Sisters" or Tender Surrender" but it's also quite unique, as Vai uses the technique of "joint shifting". The experiments and challenges in this song were the results of the lockdown. He uses use a very clean tone, no whammy bar, and no pick, just fingers. The result is fantastic and fascinating, you can also check this one out with the link below. 

"Avalancha" and "Greenish Blues" is more traditional Vai style song very similar to something out of Passion & Warfare. The first being a rocker and the later a bluesy cousin of "For the Love of God". 

"Knappsack" was written when Vai had his right arm immobilized due to recent surgery. At that time he received his beautiful Black Onyx PIA latest Ibanez signature model. So he wrote the song with this new guitar and only for the left hand fully relying on the legato technique. He also made it available on another impressive video with the link here as well. The album closes with "Sandman Cloud Mist" is a beautiful, slow tempo, emotional and melancholic also played in the new signature model. 

The Picky Guy
I don't really have a lot to picky about this album. I mean if you are not into guitars and/or instrumental music, then it's not for you. But other than that the only thing I can say is that some songs are so different and innovative, that the more "traditional" ones in comparison sound "simple". But Vai's simple is a major challenge for 95% of guitar players. 

Wrap Up Opinion 
Vai continues to use his solo work to expand and explore. He has been continually challenging notions of traditional guitar playing and composition even at the age of 60 and having accomplished so much in his successful career. With Inviolate he has done it again. Not only he re-imagined the instrument itself with the Hydra, but also this time around, Vai quite literally invented a new guitar-playing technique. And those are just to highlights of the so many things we discussed he did and explored in this album. Besides all that, the music is fun and entertaining to listen. So I can only say it's a very good album and unless Satriani comes with something so impressive in the coming weeks, Inviolate is the guitar album of 2022.










SCORE: 83/100
Genre: Progressive Rock
Released by Mascot Label Group on January 28th, 2022

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Thursday, January 27, 2022

BATTLE BEAST Circus of Doom | Weekly Heavy Metal Album Review


Released by Nuclear Blast Records on January 21th, 2022

Quick Background
Battle Beast is a Finnish heavy/power metal band established in Helsinki in 2005 by guitarist Anton Kabanen. Battle Beast's first album, titled Steel, was released in Finland in the Spring of 2011 and worldwide in January 2012 with the support of the two singles, "Show Me How to Die" and "Enter the Metal World". The first single with Noora Louhimo on vocals, "Into the Heart of Danger" was released in 2013, followed by the album Battle Beast. In 2015, Battle Beast released its third album, Unholy Savior and right after it the band parted ways with Anton Kabanen. He went on to form Beast In Black. Despite that, Battle Beast's ascent up the metal ladder quickly and the band’s 3rd studio album achieved remarkable chart positions all over Europe. Bringer of Pain first output without their original songwriter was released in 2017 and achieved even higher success. Then No More Hollywood Endings came to life in 2019. 

Circus of Doom
Now in 2022, the Finnish heavy metal sextet sixth studio album, Circus of Doom brings us 10 tracks in 42 minutes. A pretty sweet and easy to digest format. All songs are direct and to the point. All of which last between 3 and 5 minutes delivering a blend of true heavy metal with pop and rock-vibes, paired with Noora Louhimo’s unique voice. The album opens with the title track which features one of the heaviest riffs on the album. Relatively speaking it is a darker song but nothing to to with doom metal. It is a perfect sample of the album's quality. This time around Battle Beast went for a heavier album with more power metal influences than previous efforts. With that said the symphonic and pop rock elements are still very much present. "Wings of Light" follows and keeps the energy and tempo up. Great guitar work on this song in particular, I love the solos on it.

In terms of lyrics the album is full of clichés and even song titles that you'll make you think of other metal tracks such as "Master of Illusion" and "Eye of the Storm". But that doesn't bother me actually.  Funny enough those are my two favorite songs on the album. Louhimo's performance on "Master of Illusion" is fantastic, so much energy, range and hitting those high notes while delivering catchy vocal melodies. It's a power metal delight. 

The stunning artwork was created by Jan Yrlund (Among others Manowar), who already took care of Battle Beast’s previous two album designs. The album was produced and mixed by keyboardist Janne Björkroth and it sounds quite good.

The Picky Guy
There are a couple of moments that BB sounds too much like Nightwish era with Anette Olzon and I don't like it. It looses grip and energy. Not that I don't like NW, but that's not the style they shine here. The examples are "Where Angels Fear to Fly" a mid tempo song that doesn't keep my interest. "The Road to Avalon" featuring a very pop chorus and most of all "Armageddon". It sounds like a happy song to end a concert, but too much...  

The good thing is that the band arranged the song order in a way that the less impactful songs are not standing out. More importantly, Circus of Doom ends on a high note because the closer track "Place That We Call Home" is a good energetic heavy one. 

Wrap Up Opinion 
I liked this album a lot, but I haven't seen many good reviews. That doesn't surprise me and it's one of the reasons I started this channel. Of course if you want extreme metal or prog metal adventures this is not the album. But we have to judge an album for what it is and tries to accomplish. In that sense Battle Beast stayed true to the formula of “100% heavy metal - 0% bullshit!” This is fun, catchy and contagious while delivering energy and quality song writing. It's a very good album, 82/100 and I keep listening to it and I am not ashamed. For me their best album yet. Looks to me that Kabanen leaving the band was the best for all. Now on top of Battle Beast on top form we also get Beast in Black


SCORE: 82/100
Genre: Heavy Metal
Released by Nuclear Blast Records on January 21th, 2022

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Tuesday, January 18, 2022

MAGNUM The Monster Roars | Weekly Heavy Metal Album Review



Released by Steamhammer Records on January 14th, 2022

Quick Background
Magnum are an English hard rock band formed in Birmingham by Tony Clarkin (guitar, songwriter) and Bob Catley (vocals). They have undergone several changes in personnel over the years; however, the core of Catley and Clarkin remains. Their debut studio album was released back in 1978! Chase the Dragon (1982) and On a Storyteller's Night (1985) are considered their best / most important albums. In recent years, my favorite album is Sacred Blood "Divine" Lies (2016). 

The Monster Roars
The Monster Roars is their 22nd studio album, quite impressive. I don't know how many bands have such an extensive catalog, but I don't think many. As a reference the Rolling Stones have 30 and are one of the oldest bands in activity. Anyways, the new effort follows The Serpent Rings (2020) and features a whopping collection of 12 songs in 60 minutes. 

Over the last two decades the band has been very consistent in not only releasing an album every other year but also maintaining their trademark sound. Bob Catley voice is beautiful and distinguished and Tony Clarkin knows how to write catchy melodies. Magnum creates tasteful hard rock with epic feel and a power metal edge. Keyboards and orchestrations add to their soundscape to create huge moments and choruses. Melody is the name of the game here. Songs and vocal lines are memorable and contagious, soon you will get those choruses stuck in your head and you will be singing them along.

There's no need to discuss songs individually, for one there are too many and also they are very similar. With that said, some are more upbeat (e.g. title track and "Remember") and others midtempo and more melancholic with stylish string accompaniment as in the single "I Won't Let You Down". "The Present Not the Past" is however one of my favorites. It's a subtle build up and that epic contagious feel that Magnum are the masters of. Very groovy and catchy chorus.   

Now there is one curve ball on the album "No Steppin' Stones". Not that I love this song but I do appreciate that they did something a little bit different. When the song started I thought I pressed a button and was listening to another band, more specifically something like The Glenn Miller Orchestra. It's weird but interesting.  

When it comes to the vocals, Bob is a legend, how does he still sound so good after 50 years is beyond me. The guitarwork is effective but rarely takes the central stage. And the production is again modern, clear and pristine. Similar to the latest albums. 

The Picky Guy
The no brainer criticism here is that the album is more of the same. There's very little new things in this albums that we haven't heard before from this band. The last few albums all blend in together and the main different just comes to song writing and personal connection to the songs. The other thing for me is that the album is way too long in both minutes and number of songs. So some songs like "That Freedom Word" were not really necessary to be in there.

Wrap Up Opinion 
Magnum delivers what you would expect from them. High quality hard rock with big choruses, addictive melodies and tasteful guitar work.  The band doesn't adventure outside their comfort zone, so no surprises really. You know what you get and that's very similar to previous albums, the good news is that it's all high quality music writing and execution. Therefore it's a good album, 81/100. Old time fans can go for it and for new fans, this is as good as any of the last records. 



SCORE: 81/100
Genre: Hard Rock
Released by Steamhammer Records on January 14th, 2022

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Thursday, January 13, 2022

WILDERUN Epigone | Weekly Heavy Metal Album Review


Released by Century Media Records on January 7th, 2022

Quick Background
Formed in 2012, the New England quartet Wilderun has released three albums prior to 2021, the third one being 2019's "Veil Of Imagination". That album was praised by critics. It transformed and expanded the band's sound resulting in an album that is beautiful and fierce. While their roots are the American response to the European Folk Metal, the band has evolved to a full prog rock/metal band with folk and extreme metal influences.  

Epigone
Epigone arrives as the year starts and it's the band's fourth album. Important to notice that the album was recorded as a 5-piece band with Joe Gettler on the lead guitars. However in the mean time he left the band so Wayne Ingram is now once again in the lead guitar seat and is slaying the parts live. He is also responsible for the orchestrations. The band is completed by Evan Anderson Berry (Vocals, Guitars),  Daniel Müller (Bass, Synths) and Jon Teachey (Drums).  The new album features nine songs in just above one hour. But notice that "Distraction" is broken into 4 songs. And "Ambition" is a short instrumental. The album opens with the relatively short almost 5 minute "Exhaler". It's a folk orchestrated acoustic ballad that to me more than standalone song feels like a long intro to the album. After that we go into a series of epic songs where Wilderun traverse a variety of musical genres, such as epic orchestral passages followed by hard guitar riffs, clean vocals transform into deathly growls. To me there's a lot of Opeth in their sound, but interestingly also bit of Kamelot due to Berry's clean vocals, orchestrations and female backing vocals. There's still a lot of folk and acoustic elements still in their sound but they are much more subtle than in other bands. The middle part of "Woolgatherer" for example is really cool and brings that  Middle Ages feel without the use of in your face folk tricks. 

"Passenger" is my favorite song on the album. That epic opening is great, it sounds huge with orchestrations, a choir and guitar solos. When the clean vocals come in, it brings that power prog metal feel as it could've been in Kamelot's The Black Halo. But then that's mixed with death growls in the best Opeth style it's just great. Talking about Opeth, "Identifier" is one of the best Opeth songs of the last few years. But wait until, it fully brings a Haken vibe to it. The vocal melodies in this song and overall on the album are super catchy and memorable. And both the death growls a la Mikael Åkerfeldt or the clean Roy Khan singing are beautiful. 

"Ambition" is an expendable almost three minute sample effects song that breaks the album into two. The second part of the album is "Distraction" in four parts and totaling almost 20 minutes. It's a journey though what Wilderun is all about. Acoustic passages, clean sing-along vocals building up to huge orchestrations and choirs to death growls during part I. Part II balances melody with aggression and heavy guitars. It also build up to this big erratic orchestration, almost like The Beatles' "A Day in a Life". Part III is like bring us from that sound mountain to a calm valley. A strings and keyboards surround the singing and creates this peaceful ambience. Until this finally leads us to the coolest guitar solo on the album. We then reached "Distraction Nulla" is a 3-minut chaotic instrumental that closes the album without adding much to it. 

The Picky Guy
"Woolgatherer" had everything to be a fantastic song, but a couple of choices made during production ruined the songs for me. Mainly, the piercing noise that is for an inexplicable reason included in a couple of moments during "Woolgatherer" not only irritates me but it physically hurts. I really don't get why they did this, probably nobody on the band suffers from tinnitus, otherwise they would have removed this effect. It ruins the song for me, sorry. Then there's an useless 1 min of sound effects to close the song. With that said, for the rest there are some very cool moments on this song, it's a pity. I also find the opening song too long. And those really the only issues I have with the album. 

Wrap Up Opinion 
Wilderun alternates between orchestrations, folk elements and extreme metal, all executed with technical mastery and skillful songwriting. It's a delight for modern prog metal fans as it draws from many of our favorite bands but the band creates an interesting combination that leads Wilderun to have an unique and hard to define style. Despite some editing issues and a couple of poor choices, I still consider it a good album and I have been listening to it a lot. So that's a 81/100 album. I must also point out that "Passenger" is already a contender to be among my top songs of the year. Prog fans, you can try Epigone with the confidence to have a good time.



SCORE: 81/100
Genre: Progressive Metal
Released by Century Media Records on January 7th, 2022

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Saturday, December 11, 2021

The Top 20 Best Metal Albums of 2021 by BeMetalways Editor


2021 was no different than I thought back when I wrote the entry for 2020 best of. If anything 2021 was slightly worse, because even with all my negativity about 2021, I did not expected to be basically back to square one in this pandemic. Right now it feels like Deja-Vu and March 2020 all over again. It's shocking and very sad to say that 2021 is the first year since 1995 that I didn't go to any concert. This partially my fault, I had a couple of opportunities and didn't take them. The one ticket I had was postponed. That's a 25 year streak gone...thank you anti-vaxers....

So my perspective for the future is very dark, I'm sorry to say. But you know what? That's great for music writing. So if continued cancelled tours and this gleam future, I think we will see even more great albums being released, sometime long ones as bands have so much time in their hands now. In 2021 some of my all time favorite bands released new albums such as Iron Maiden, Helloween, Dream Theater and Therion among others. And even my favorite bands that don't exist anymore The Beatles and Pink Floyd released "new" stuff. For Pink Floyd a re-release but for the Beatles two documentary series! Plus the special edition of Let It Be. Pretty cool stuff. So let's get into it...

35.At the Gates - The Nightmare Of Being
34.Yngwie Malmsteen - Parabellum
33.Wheel - Preserved in Time
32.Coronary - Sinbad
31.Agent Steel - No Other Godz Before Me
30.Flotsam and Jetsam - Blood in the Water
29.Darkthrone - Eternal Hails......
28.Teramaze - Sorella Minore
27.Midnight Spell - Sky Destroyer
26.Cannibal Corpse - Violence Unimagined
25.Swallow The Sun - Moonflowers
24.Transatlantic - The Absolute Universe: Forevermore (Extended Version)
23.Ad Nauseam - Imperative Imperceptible Impulse
22.Sacred Oath - Return Of The Dragon



21.Tribulation - Where the Gloom Becomes Sound
Tribulation makes Black Metal without blast beats and highly influenced by gothic rock in a way that's quite unique and satisfying. Jonathan Hultén did the bulk of the songwriting on this album, and surprisingly last December the guitarist left the band he started after 16 years. That leaves us with a big question mark where the band is going. Maybe this will force Tribulation  to evolve their sound and incorporate other influences. For now, if you enjoyed their last two albums,  Where the Gloom Becomes Sound is just a big pleasure to listen to.  




20.Bloodbound - Creatures of the Dark Realm
Bloodbound is back into form with a non apologetic blistering power metal album as it should be. Despite a couple of fillers and the lack of originality, the album delivers what we expect from a sing-along power metal. That means: bombastic choruses, enough aggression and a huge amount of melody and hooks. That can only be successful due to the good song writing and execution of almost all songs on Creatures of the Dark Realm. Power Metal fans can go for it with no doubts.



19.Carcass - Torn Arteries
Eight years after 2013’s mighty comeback album Surgical Steel (my album of the year then), Torn Arteries continues in the same path. A bit rawer and less metallic but with the amazing riffs and big choruses as we came to love from the band. Despite all the qualities, as of now it didn't have the same impact on me that Surgical had. But time will tell, this one is a grower. Hence why it's not higher on the list.



18.Todd La Torre - Rejoice In The Suffering
Rejoice in the Suffering is the debut solo album by Queensrÿche vocalist Todd La Torre. The first four songs on the album are just great. A punch in the face! It's a pure metal overdose. Todd showcases all his vocal abilities. The album also displays a southern metal sound reminding us of Pantera or Black Label Society. Overall, very good album that left me with wish for more. I'll be waiting for the sophomore release





17.Dee Snider - Leave a Scar
Twisted Sister legend Dee Snider broke our lockdown boredom with an energetic and modern sounding traditional heavy metal album. A very good album backed by a competent band and a Jasta production. There are several summer festival anthems to sing along here that I can't wait to hear this album live. During such a difficult year the positive messages from this album were very welcomed. 






16.Orden Ogan - Final Days
Orden Ogan has been delighting us with solid power metal albums for a few years now. It's a modern and dark side of power metal. The dark-science-fiction-concept was the perfect theme for the band to modernize their sound. It is still very much a power metal album, but it has also a flavor of this decade. The songs feature fat and modern riffs, epic choruses and melancholic orchestral arrangements. I must highlight  "Let The Fire Rain" as one of the best songs of the year. It's a power metal delight. Despite some lows on the second half, I'm still having lots of fun with Final Days, again a very good album by Seeb and comapny. I can't wait to see them playing those songs live.


15.Artillery - X
Artillery delivered their tenth record as if it was a debut: Ruthlessly heavy, catchy and pure metal. The fusion of 80's thrash with traditional heavy metal is perfectly executed creating some headbanger tunes to sing along with our fists in the air. The album is full of highly technical riffs and hook lines combined with aggression and melody. Straightforward, with a couple of exceptions, all songs are between 4 and 5 minutes, so short, direct and all of them to the point. A very good thrash metal album that will please new and old fans looking for that perfect mix of melody and aggression. 



14.Therion - Leviathan
Therion revisits their roots with Leviathan. A straightforward Therion album full of potential new fan favorites. While not bringing new ideas, it's a powerful, bombastic collection of songs with a good level of variability and dynamism. Several guest singers, tempo changes, lyrics in different languages, all those choices make the album very interesting and each song has its own character. Leviathan is a direct reaction to the complexity of the last few albums. It's a very good album that is simple and straightforward album. Long time fans will love those new Therion hits. 




13.Beast In Black - Dark Connection
Of course if you are looking for complex progressive music or extreme metal growls, this is not your place. But if, like me, you are into cheesy power metal and want to have fun, then Dark Connection is a sequence of jewels fusing modern power metal and Euro beat from start to finish. In this context, there are no bad tracks. Anton Kabanen is a master of creating catchy music and via Beast In Black he won't apologize or contain his love for the cheesiness of the 80s or European power metal. This album sounds a futuristic and modern. The combination of love and believe for what you do with skillful song writing and talented musicians makes Beast In Black a band in strong ascendency and Dark Connection a testament to it. 


12.Exodus - Persona Non Grata
After a long wait, Exodus delivered a great follow up to the already very good Blood in Blood out. If I didn't know the band, I'd have a hard time believing that it is a thrash album written and recorded by veterans including a cancer survivor on the drums. The speed and aggression never stops. It's pure thrash metal for old timers and new fans. The production is modern and fresh and the band was able to mix very straightforward songs with longer more elaborated ones usually filled with riffs and solos. All in all a very good album and a really fun thrashy ride.  




11.Soen - IMPERIAL
Swedish drummer Martin Lopez (ex-Opeth, Amon Amarth) joined forces with vocalist Joel Ekelöf to make music that is "melodic, heavy, intricate and different." Soen sure isn't an instantaneously accessible music but with a bit of listener's patience, album after album they proved to be one of the most prolific creators of rewarding pieces of progressive music today. Quiet honestly, I prefer any Soen albums over any Opeth album after Watershed.   From the get go I must say: Imperial is such a joy to listen to. The album flies by with a whirlwind of emotions due to the intricate network of melodies submerged in a bliss of melancholy. 


10.Trivium - In The Court Of The Dragon
Trivium delivered the third solid album in a row. It's slightly inferior to the previous one, but it is still a very strong release. I liked specially when they kept the heaviness and in addition adventured to go to slightly more progressive territory with longer songs and some more dynamics. Overall a very good album, it flows very well and I don't see it as having any fillers. The production is good and musically all members continue to step up their game. Specially Heafy's singing both harsh and clean. Overall, I am sure fans will appreciate this new effort. 



9.Mastodon - Hushed and Grim
Hushed and Grim is another very good album from Mastodon. It could've been much higher in my list if it wasn't so long. But I do see the possibility of it growing even further on me. The album is a natural evolution from the previous albums, but with the band experimenting even further. This time special attention to more atmospheric elements. Mastodon mix those with heavy sludgy songs as well. The vocal duties are further shared and overall makes the album very dynamic. Musicianship is superb as we come to expected from those guys. 




8.Brainstorm - Wall of Skulls
With a stable lineup and a sequence of good records, Brainstorm has again proven that they deserve much more attention from the metal community. Wall of Skulls is another power metal masterclass. Catchy without becoming cheesy, full of hooks without becoming happy metal and  melodic but also powerfully heavy. This may be their best album yet which means a lot for a band that has been around for so long (this is their 13th studio album). A must have for power metal fans.


 

7.Asphyx - Necroceros
Recorded during lockdown, the band’s tenth studio album Necroceros is heavy and vicious! No room for fillers, just 10 heavy tracks in 50 minutes. It also sounds great, clear and bombastic. There's just something so captivating about this album from the first to last track.
From the get go the groove of "The Sole Cure is Death" gets you hooked and headbanging. Trhoughout the whole album Asphyx blend classic Death Metal with Doom Metal. Is it a revolutionary album? No, but it's very well written, executed and produced. This was the best album of January 2021 and remained at the top of the list during the whole year.  



6.Witherfall - Curse Of Autumn
Witherfall executes excellent modern progressive power metal. It's dark and heavy and yet melodic and catchy. Dreyer is a monster on the guitar. Impressive speed and technique which culminates with the instrumental "The Unyielding Grip of Each Passing Day". Overall, one of the things I dig about Witherfall is their creative freedom and lack of boundaries or rules. The songs are different from each other, they take different genre paths, use different instruments and techniques, and there are no rules for song lengths or structures. Witherfall's Curse Of Autumn is my favorite prog power metal album of 2021. Can't go wrong with it. 


5.Helloween - Helloween
Despite the return of Hansen and Kiske, the album doesn't sound much different than previous records from the Deris era. It is not a bad thing but a missed opportunity. With that said the album is very good and shines at most moments. "Skyfall" is an instant classic and many songs call back subtly to other phases of the band. All and all, the self titled 2021 album has a little something for any Helloween fan, old or new, and the execution is outstanding. Highly recommended for any power metal enthusiast. 




4.Between the Buried and Me - Colors II
Colors II like a good complex prog album, takes time to assimilate, with that said, it brings no surprises to the long term BTBAM fans. Their style is solidified and if anything this album relates more to their early stuff than to the last couple of albums. But it's a culmination of them all. It is very dynamic and eclectic, but still heavy, specially the first half. Is Colors II at par with Colors? Probably not, but we will only be able to really say that after months or even years. One thing is certain it's worthy of its name already. It's a great album. So take your time with it, you are in for a journey and enjoy it. 


3.Rivers Of Nihil - The Work
Rivers of Nihil is becoming one of my favorite modern prog metal bands. Last album was great and The Work  did it again and without repeating themselves. This album is unique and very different from previous albums but building on what they have done before while expanding their sound. It's really a dynamic prog metal album and not "just" death metal anymore. But not to worry, the death metal aggressiveness is still very much present. So it still sounds like Rivers of Nihil. The album functions almost as a soundtrack with great flow and storyline. A great album that could even have been number 1.



2.Iron Maiden - Senjutsu
Dark and more melancholic album than the previous records, probably due to most compositions being by Harris, leads to similarities and callbacks to the Bailey albums. When it comes to music writing, this is one of the best and most consistent album since 7th Son and at par with my post 80's favorites A Matter of Life and Death and Brave New World. Despite the production and the overuse of keyboards, this is a great album and since the release I have been enjoying it more and more. It was by far my most listened album of 2021 and "Hell On Earth" my favorite song of the year. Why not #1 then? The production and album length cost some points...



1.Gojira - Fortitude
Gojira knocked this one out of the park. A great album which will certainly head many other year-end lists. They were able to masterfully combine old style Gojira with experimentation and ambience. As a result the album is diverse and super interesting. On top of it, it all comes down to great song writing. There are no bad songs and, even better, a handful of great ones (e.g "Amazonia" or "Into The Storm"). Yes, some of them are different and not as heavy (e.g. "The Chant"), but it all works. A 21st century masterpiece. I don't use this word often, but Fortitude is already top of the decade contender for me.


Honorable Mentions:
Rage - Resurrection Day
Obscura - A Valediction
Khemmis - Deceiver
Manimal - Armageddon
Portrait - At One with None

Biggest Disappointments:
Dream Theater - A View From The Top Of The World
Evergrey - Escape of the Phoenix
Full Of Hell - Garden of Burning Apparitions
Architects - For Those That Wish to Exist
Deafheaven - Infinite Granite

Favorite Album Cover Art:
Dream Theater - A View From The Top Of The World
Exodus - Persona Non Grata
Rivers Of Nihil - The Work

Favorite Guitar Solos:
Presto Vivace in C# minor by Yngwie Malmsteen from Parabellum
The Unyielding Grip of Each Passing Day by Dreyer (Witherfall) from Curse Of Autumn
Persona Non Grata by Gary and Lee (Exodus) from Persona Non Grata

Top 10 songs:
Hell On Earth  by Iron Maiden from Senjutsu
Clean by Rivers Of Nihil from The Work
Amazonia by Gojira from Fortitude
Skyfall  by Helloween from Helloween
In The Court Of The Dragon by Trivium from In The Court Of The Dragon
Glory Disappears by Brainstorm from Wall of Skulls
Revolution In Limbo by Between the Buried and Me from Colors II
Gathering of Souls by Bloodbound from Creatures of the Dark Realm
Pretenders by Todd La Torre from Rejoice in the Suffering
Eternal Nocturnal by Evergrey from Escape of the Phoenix
As I Lie Awake by Witherfall from Curse Of Autumn
Let The Fire Rain by Orden Ogan from Final Days

Best Little Moments & Details
Dreaming Black Clockwork by Rivers Of Nihil: I love that in the first chorus they omit 'black clockwork again' after 'I cease to exist because I'm dreaming' which makes the 4th line on the chorus so much more powerful and the second time the chorus is sang brings a different element. It's brilliant.

Stratego by Iron Maiden: I was blown away the first time I heard this song due to the unusual structure. Specifically the Post-Chorus which is only sang once but is so powerful! The way Bruce sings 'I hear you calling my name...' is a goosebump moment. 

Human Is Hell (Another One With Love) by BTBAM: The opening of the song is based on their classic and one of my favorite songs White Walls. But while it reminds us of it, it's not a copy but a new variations of those riffs. Very nice call back to Colors. 

Favorite Shows: N/A

Disappointing Shows: None, but the fact that there were no shows...I think a concert will never be disappointing again in my life.