Monday, February 13, 2023

XANDRIA The Wonders Still Awaiting | Weekly Heavy Metal Album Review



Released by Napalm Records on February 3rd, 2023

Quick Background
Xandria is a German symphonic metal band founded by Marco Heubaum in 1994. since then the band has gone through various lineup changes. Their seventh album, Theater of Dimensions was released on January 2017 and after that the whole band left leaving founder Marco alone. In 2022, then he announced a new lineup, with the addition of the band's new vocalist Ambre Vourvahis. Ambre has an impressive dynamic range varying between beautiful classical harmonies to powerful clean singing in the style of Nightwish, to even harsh growls that remind me of Arch Enemy.


The Wonders Still Awaiting
The Wonders Still Awaiting is their eighth studio. It is the first studio album to feature not only Ambre  but also Tim Schwarz on bass, drummer Dimitros Gatsios and guitarist Rob Klawonn. With 13 songs and clocking in at 75min, this is a very long album. 

From the first bars of the opening track "Two Worlds" the use of choir and orchestral elements creating an epic and cinematic feel of the album are very clear. While the symphonic elements are very prominent, there's also a considerable emphasis on the guitars. At some moments it gets pretty heavy as in the bridge of this song. Not only it's a heavy guitar tone with cools riffs but also Ambre showcases her ability with death metal growls. While not used very frequently, they appear throughout the album and to me they add a lot of character to their music. In "Illusion is Their Name" the growls are prominent. On the other hand, in the single "Reborn" we can hear she going full operatic (e.g. the Post-Chorus). 

If you are distracted as the single "You Will Never Be Our God" starts, I can bet you will think it's a new Arch Enemy song. Now, this song features Ralf Scheepers from Primal Fear and I must say, why? His voice is so low in the mix that it barely makes a difference and he only does backing vocals, not for a sentence he sings alone. I liked the song a lot, but what a missed opportunity.

The title track is so Nightwish, but ok I like it. There's even more emphasis on keyboards which is not the case for most of the album. And actually this focus on guitars backed up by symphonic arrangements is what I like the most in Xandria's new sound. That's very evident in many tracks, but specially in the single "Ghosts", sick riffs here and super over the top symphonic blasts. Worth noting how cheesy this song's video is, it's so bad that it's good, if you know what I mean. And damn the chorus is catchy. 

In terms of musicianship, Xandria showed their technical proficiency on instruments, particularly in the guitars, while maintaining a strong sense of melody and catchiness. Take "My Curse is My Redemption" as an example. The album was produced by Marco Heubaum to a high standard, with a clear and balanced mix that allowed almost all elements of the music to shine through. The only exception is the bass. 

Finally I want to talk about the epic album closer "Astèria", a 9 min piece translating from Greek into stars. One of Marco's passion is film scores and the best example is the album closer. Featuring a eastern flavor and lyrics about refugees leaving their home country behind. The whole song could be part of the soundtrack of an actual movie. Marco is so proud of all the symphonic arrangements on this album that a deluxe version can be found with a second CD with  Orchestral Version of the entire album.

The Picky Guy
Xandria demonstrate their versatility as songwriters, incorporating elements of different sub-genres of metal into their sound. The album features a mix of aggressive, fast-paced tracks and more atmospheric, slower pieces that showcase the band's strong sense of dynamics. Do I really like the slower tracks such as "Your Stories I'll Remember" and "Paradise"? Not really. The other thing is when we reach track number 10, we are already 50min into the album and still 4 songs to go. It's difficult to keep the focus.

Wrap Up Opinion 
Overall, The Wonders Still Awaiting is Xandria's long waited comeback showcasing strong songwriting skills and musical talent from the new members, specially singer Ambre, making it a standout release in the symphonic metal genre. The album is a diverse blend of symphonic metal, power metal, and subtle death metal elements. And while not innovative and a bit too long, it is a good release deserving a strong 81/100. For fans of the genre, this is a must check release. 



SCORE: 81/100
Genre: Symphonic Metal
Released by Napalm Records on February 3rd, 2023

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Wednesday, February 1, 2023

RIVERSIDE ID.Entity | Weekly Heavy Metal Album Review



Released by InsideOutMusic on January 20th, 2023

Quick Background
Riverside are a progressive rock band from Warsaw, Poland. They were founded in 2001 by friends Mariusz Duda (vocal, bass, main songwriter), Piotr Grudziński (guitars) and Piotr Kozieradzki (drums) and soon after Michał Łapaj(keyboards), who shared a love for progressive rock and heavy metal. On February 21, 2016, guitarist Piotr died of a pulmonary embolism. 
Wasteland, their seventh studio and first album without founding guitarist was released on September 2018. The album was released as a trio, meaning without a replacing guitarist, but Maciej Meller contributed with 4 guitar solos. In 2020, Riverside announced that Meller had now become an official member of the band.

ID.Entity
The group’s 8th studio album features seven new tracks in 54 minutes and marks the return to Riverside’s heavier roots that defined their 2000s output: theatrical keys, maximalist songwriting and metal-inspired riffing as opposed to more moody and atmospheric direction from recent albums. "I’m Done With You", the album's first single is a good example of a track that revisits that energy and aggression. Duda began writing ID.Entity while on the tour for Wasteland. But the band worked together in the studio so final arrangements were a team effort. Lyrically, ID.Entity sees Duda questioning his own place in the world and, also, Riverside’s place in the prog scene. 

The opening track, "Friend or Foe?," sets the tone for the album in the sense that you don't know what's coming next. It's not a typical opening track. It's impossible not to think of  the song "Take on me" by a-ha. So it takes some spins to get used to it, but then you can appreciate how cool the vocal melody sounds. Moreover, the song builds up and delivers some heavy riffs. I really enjoyed the overall result. One of the standout tracks on the album is the 13-min long "The Place Where I Belong". It features a long intro with acoustic guitars then a very cool instrumental interlude, amazing bass lines, bluesy guitars and cool Deep Purple-like keyboards. And then the mid section with this amazingly beautiful melody, not to mention the melodic guitar solo that closes this masterpiece of a prog song.  Other cool tracks are the short and catchy "Landmine Blast" and the riff driven "Post-Truth".

The musicianship on this album is truly great. Each member of the band showcases their talents and abilities throughout the album, from the intricate bass lines to the heavy riffs. I also love the keyboards in here going from Deep Purple to Pink Floyd and brining a lot of flavor and texture to their music. Riverside are able to seamlessly blend different styles and instruments, creating a cohesive and immersive sound. The bass work is particularly noteworthy, with the instrument often taking the front stage. The pop rock elements of the album are also expertly executed, adding a catchiness to the music without loosing the heavy elements. Overall, the band's musicianship is top-notch and it is clear that they allowed themselves to go where their imagination led them.

The Picky Guy
While I don't think "Big Tech Brother" and "Self-Aware" are by no means bad songs, I do think that for me they have some ups and downs. Therefore they do not captivate me from start to finish like the other songs on the album. And that's my only criticism of this album. 

Wrap Up Opinion 
ID.Entity Riverside's latest album is a masterful blend of hardrock and experimental prog rock. The band takes the listener on a journey through a variety of moods and emotions. Overall, ID.Entity is a must-listen for fans of prog-rock. The band has truly allowed themselves the freedom to create something unique. It is a testament to their skills as musicians and composers in this newly open new phase for the band. To me except for a couple of missteps it's a very good album deserving 83/100. 



SCORE: 83/100
Genre: Progressive Rock/Metal
Released by InsideOutMusic on January 20th, 2023

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Thursday, January 26, 2023

OBITUARY Dying of Everything | Weekly Heavy Metal Album Review



Released by Relapse Records on January 13th, 2023

Quick Background
Obituary is an American death metal band formed in Tampa, Florida in 1984. They were a fundamental act in the development of death metal music, and are one of the most successful death metal bands of all time. The band has gone through several lineup changes, with the Tardy brothers (John on Vocals and Donald on the drums) and Trevor Peres (rhythm guitar) being the only constant members. Their music is based around heavily groove-based riffs and drumming along with John Tardy's growling vocals, which create their signature brand of death metal. Slowly We Rot is their debut album released on June 14, 1989. Obituary were changing Death Metal with this album, it was  blueprint for a generation of death metal bands to come. 

Dying of Everything
The death metal pioneers' Dying of Everything is their eleventh studio album and first new album in five years. It features 10 crushing death metal songs in 45 minutes. Obituary deliver a masterclass in death metal precision. All in all, the band members' musicianship is top-notch, making for a brutal and satisfying listening experience.

The lead single “The Wrong Time” released back in November last year is still my favorite song on the album. This mid-tempo magnificent groove is a banger. It starts with a somber and dark intro, but soon this sick groovy riff kicks in displaying the brutal guitar tone of Trevor Peres and the rhythmic skills of Donald Tardy. The barely human vocals of John Tardy confirms that this is classic Obituary. Now, I love the ideas on this song, the chorus is brilliant, you wait for the second call to the track's title but all you hear is the suffering growl, it's awesome and subtle. Besides there are post-chorus parts, a bridge, a guitar solo, it's overall quite dynamic. In this album the band experiments with different tempos and structures, which keeps things interesting and prevents the album from feeling monotonous. "Barely Alive", the opening track, is a blazing fucking song with a double-bass at about 200 bpm. Not sure if this one will be played live! It's the best Slayer song written by another band of 2023. On the other hand the closer "Be Warned" is a super slow almost sludge metal song. Other standout tracks include: The tile track with its nightmare-like bridge, melodic guitar solo and precise drumming and the nonstop groovy single "My Will to Live".

In terms of songwriting, Obituary continues to deliver on this album. The band has always been known for their ability to craft catchy, memorable death metal songs, and that's definitely the case here. Almost every song on the album is built around a set of killer riffs and memorable hooks. Whether it's the Pantera-like riff and drumming of "Without a Conscience" or the memorable chorus of "Weaponize the Hate". By the way, the lyrics are also worth mentioning, as they often deal with social and political issues and are thought-provoking.

The Picky Guy
If you know what you are going for, there's nothing really to complain here. It's pure Obituary at its best. But a couple of songs fell short for me and not at the same level of the whole album. That's my only complain. 

Wrap Up Opinion 
Dying of Everything is a solid addition to Obituary's extensive discography. The band's trademark sound is on full display throughout the album, with heavy, chugging riffs and John Tardy's guttural growls leading the charge. The musicianship is tight and precise, with each member of the band delivering a strong performance. Overall, fans of Obituary and death metal in general will find plenty to enjoy on this very good album which deserves a 82/100.



SCORE: 82/100
Genre: Death Metal
Released by Relapse Records on January 13th, 2023

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Saturday, December 31, 2022

The Top 35 Best Metal Albums of 2022 by BeMetalways Editor

 


It's that time of the year again! 

35.Elder - Innate Passage
34.Misery Index - Complete Control
33.Magnum - The Monster Roars
32.Axel Rudi Pell - Lost XXIII
31.Avatarium - Death, Where Is Your Sting
30.Watain - The Agony & Ecstasy of Watain
29.Long Distance Calling - Eraser
28.Wilderun - Epigone
27.Candlemass - Sweet Evil Sun
26.Therion - Leviathan II

25.Joe Satriani - The Elephants of Mars


Joe Satriani has nothing to prove, after almost 20 studio albums he has collected millions of fans and accolades. However, with  The Elephants of Mars he demonstrates that standing still is not option. A dynamic album combining classic elements from the early albums with experimentation and fusion music makes this new album a pleasure to listen to. It's another delight also to inspire guitar players around the world.

24.Saxon - Carpe Diem


After more than 40 years on the road, Saxon brings their impressive new album with bristling steel-clad riffery and proud intent, the band draws on a variety of ingredients from its career to keep it loyal to their roots but also sounding fresh and modern. They kept simple and straightforward, pure traditional heavy metal flourishing from their 80's success. What else to say? Despite being frontloaded, a very good album, deserving the attention of new and old fans. 

23.Arjen Anthony Lucassen's Star One - Revel In Time


Musicians and singers choices make total sense for the style or vibe of each song, Arjen knows how to pick them. And his song writing is top notch as always. He delivers the material so that those singers can perform at their best. Given the pandemic, it's even more impressive that he was still able to produce such a high quality album with so many top musicians. I can only highly recommend this one. If you like prog/power metal and clean powerful singing over great guitar work and amazing solos, you can't go wrong with Star One's best album to date. 

22.Bloodbath - Survival of the Sickest


Bloodbath, Sweden’s undisputed masters of old school death metal, are back doing what they know best. This is a return to 90's death metal within the boundaries of the genre with a little flirting into death doom in the best Obituary veins. Old fans of the band or of the legends Morbid Angel or Death will have a great time with Survival of the Sickest. A very good death metal album deserving a sore neck.

21.Lamb of God - Omens


It took me a long time to get to this album (it is one of the only ones in this list that I didn't review on this channel). But I am glad I took the time because it's a voracious groove metal delight. Nothing that they haven't done before, but it's so well done that I couldn't find one song that I didn't like. No ballads, no BS, no clean singing, just modern metal madness from start to finish. It
s great to see the band going back to the basics and to their roots. 

20.Arch Enemy - Deceivers


In terms of marketing and promotion, band and label went all in with Deceivers. It's understandable, they have a superstar line up, a charismatic front woman, good songs, and rich discography. And as we all know headliners are needed. So Century Media did not save money on their budget here: A fantastic production, a whopping 6 music videos, (so more than half of the album) and a long pre promotion of the album starting from October 2021 with the first single "Deceiver, Deceiver". Although the album was officially announced on January 2022. Overall I like the results, it's their strongest album with Alissa and a very good one. 

19.Michael Romeo - War Of The Worlds, Pt. 2


As in Part 1, War Of The Worlds, Pt. 2 features a lot of super-heavy cinematic music and, obviously, lots of guitars to impress any seasoned player or prog metal fan. Musicianship is superb and the new singer Dino brought a lot of power to this album. The arrangements on this album are great, there's a lot happening and the symphonic parts are truly impressive. A very good album recommended for SX fans, prog metal in general and certainly if you liked part 1.  

18.Slipknot - The End, So Far


Another one I didn't review on the channel, but I did spend some time with it and I think it's pretty good. It's different, experimental, but also heavy and full of future live favorites. It didn't seem to have scored many points with different reviewers and magazines, but I dug it. It's worth the time. 

17.Evergrey - A Heartless Portrait (The Orphean Testament)


Less than a year after the previous record Evergrey delivered one of their strongest albums in years, it can even become my favourite. The album flows greatly and I could sense I'd be hooked on it after the first listen. And since them it only grew on me. An overwhelming journey through progressive heaviness and searing emotionality is repeatedly accented by sonic melancholy and gripping lyrics. There's a lot of heaviness in this album but masterly combined with melancholy and slower moments. Besides it's very catchy and musically featuring strong riff and solos. Very good album. A progressive metal lesson without overdoing it.

16.Avantasia - A Paranormal Evening with the Moonflower Society


Overall it's another very good symphonic power metal album from Avantasia. There are no surprises really, but it's fun, well written and executed. To me all songs but one are good to very good. The guests singers have all delivered great performances and the addition of Floor and Ralf was spot on. All in all, very good album, anyone who enjoyed the last four albums will like this one and any power metal fan should give it a try.

15.Kreator - Hate Über Alles


Kreator's 15th studio album is  remarkably consistent with the previous records. Aggressive German thrash metal, well written, produced and executed from start to finish. It doesn't bring a lot of new things to the table, other than the song "Midnight Sun" featuring a guest female singer, but it's damn good. A very good album where there are no weak songs. 

14.Threshold - Dividing Lines


Threshold keeps getting better with time and also takes the opportunity of the recent change of singers to evolve their sound while bringing back elements from the earlier albums. With Dividing Lines they fused their 2nd album signing style with the darker and heavier sound from the late Mac era but the band kept the adventurous side from the recent albums. Musically there's the heaviness of heavy metal acts such as Symphony X and Dream Theater combined with 80's Rush and 70's prog rock and Deep Purple. I just found this melting pot extremely interesting and satisfying. Musically the band is very talented but never overdo it. All in all ne of the top prog metal albums of 2022.   

13.Ghost - IMPERA


One of the things I love about Ghost is how concise they are, the songs are short the albums are not too long. And yet the songs feature changes, variations and go to different places all of that while being super catchy and dark or heavy at times. It's a powerful combination and it's not a surprise that they have grown so much so quickly. To me this is a very good album from a band that will continue to grow and increase their fan base while not alienating (all) the older ones like myself.  

12.Decapitated - Cancer Culture


Decapitated delivered an angry album with blasting energy and heaviness from start to finish but with enough variability and groove to keep it interesting throughout.  You can expect to hear an outstanding production, enjoy a fantastic artwork, and benefit from a little something here and there that you would not expect from Decapitated before Cancer Culture. A very good album, and one that may grow further on me as I keep listening to it. And did, it made my Spotify top list of artists and songs that I listened the most in 2022.

11.Behemoth - Opvs Contra Natvram


Opvs Contra Natvram is a heavy album and a natural evolution from The Satanist and Loved You At Your Darkest, it's super aggressive but also epic and melodic. It's also dynamic showing several influences from death metal to black metal but also very melodic moments. I didn't expect much from this album and I thought I'd brush it off quickly, but the truth is I found myself addicted to it and I came to the realization that it's a very fucking good album. If you like this phase of the band you gonna love this. 

10.Meshuggah - Immutable


I start the top ten with a surprise as I was not very kind with the initial review of this album. Immutable is less harsh sounding and more dynamic than previous albums. But it sounds like we come to expect from Meshuggah since Obzen. It features some good tracks, interesting moments, some risk taking and a lot to unpack. I think if you are new to this band, and you like this kind of music, this is as good as any of the last albums. But for seasoned fans like me, it did not stand out compared to recent albums. But it turns out that I was addicted to it and I listened this band more than any other one in 2022. Besides seeing some of those songs live in my first concert after the pandemic was a big positive factor.  

9.Steve Vai - Inviolate


Vai continues to use his solo work to expand and explore. He has been continually challenging notions of traditional guitar playing and composition even at the age of 60 and having accomplished so much in his successful career. With Inviolate he has done it again. Not only he re-imagined the instrument itself with the Hydra, but also this time around, Vai quite literally invented a new guitar-playing technique. And those are just two highlights of the so many things he did and explored in this album. Besides all that, the music is fun and entertaining to listen to. So I can only say it's a very good album and the guitar album of 2022.

8.Cult Of Luna - The Long Road North


Cult of Luna have very productive the last few years. The emotions and dedication of the band in those albums in undeniable. The lack of fixed structures and templates gives the album an open and honest artistic vibe. The music takes you to different places from super heavy screams, to beautiful melodies, melancholic moments and ambient soundscapes. All these combined really appeals to me and I like this album a lot, another very good album.

7.Dark Funeral - We Are The Apocalypse


I came to this album with no expectations and I am now surprised how much I enjoyed it. It's nothing new or innovative, but it's damn good straightforward black metal with that black and roll flavour at times. But most importantly, for a Black Metal album, it is also really dynamic with variability and not just tremolo picking guitars and blast beats. It's well written, performed and produced. In sum a very good black metal album, the best of 2022.

6.Blind Guardian - The God Machine


Blind Guardian revisits their early heavy and raw sound with The God Machine. A straightforward, mostly fast tempo and heavy album with minimal orchestrations but as expected great hooks, melodies and big choruses. If you know the early work of the band, there's nothing new here, it's a natural reaction to previous albums and sets the scene for maybe taking some more risks in the next album. For now, this is a good album and a certain success among long time fans.

5.Porcupine Tree - Closure Continuation


Many would never expect to see a new Porcupine Tree album ever again, but here we are. It was worth the wait. Not a heavy album, but another interesting step forward in the band's discography. Featuring an interesting guitar tone, odd time signatures, unconventional song structures and beautiful melodies. It's everything I'd hope to see from those guys. It's one of the albums I listened the most this year, with 3 songs featuring in my Spotify top 5 list. 

4.Machine Head - Of Kingdom And Crown


Specially compared to CatharsisOf Kingdom And Crown is a heavier and more technical album. It builds from their roots, specially Burn my Eyes and The Blackening while paying homage bay area thrash metal, specially Exodus. To me it's a return to form and their best album since Unto the Locust which I like a lot. We get sick riffs and harmonics (it's nice that Flynn leveraged the writing music skills of new members), nice melodies, a good balance between clean and harsh vocals and a lot of aggressiveness. A very good album, enjoy it!

3.Battle Beast - Circus of Doom

I liked this album a lot, but I haven't seen many good reviews. That doesn't surprise me and it's one of the reasons I started this channel. Of course if you want extreme metal or prog metal adventures this is not the album. But we have to judge an album for what it is and tries to accomplish. In that sense Battle Beast stayed true to the formula of “100% heavy metal - 0% bullshit!” This is fun, catchy and contagious while delivering energy and quality song writing. It's a very good album and I keep listening to it and I am not ashamed. The band was also in my Spotify top 5 list. For me their best album yet. I also saw them live this summer and it was fantastic.

2.Soilwork - Övergivenheten


Soilwork has been evolving their sound for years into this perfect blend between Swedish Melo Death Metal meets Hard Rock/Traditional Metal. With Övergivenheten they may have found the perfect formula and it's their strongest album in many years. A very good achievement reaching easily the top of my list. If it would be just a bit shorter, it would've been number one. Overall for those who enjoy melo death and were happy with their latest albums, Övergivenheten will be a delight. And don't mind the Swedish title, my good friend Michael almost let is slide because of it.  

1.Zeal and Ardor - Zeal & Ardor

I'm a big fan of Zeal & Ardor first two albums and the trend continues now with the self titled third album. Zeal & Ardor continue to build on their unique combination of Black Metal and African American music. But this time around they doubled down on the heaviness of some tracks and post-metal elements in others. The album is dynamic, heavy, catchy and super interesting. I saw them live twice this year and those new songs blend perfectly with the older ones. I knew it was going to be high on my list, and here it is as number one. It was also the second most listened band for me in 2022. So all good reasons to be my album of the year.

------------------------------------

Honorable Mentions:
Krisiun - Mortem Solis
Queensrÿche - Digital Noise Alliance
Amorphis - Halo
Megadeth - The Sick, the Dying... and the Dead!
Amon Amarth - The Great Heathen Army
Stratovarius - Survive
Audrey Horne - Devil´s Bell
Scorpions - Rock Believer
HammerFall - Hammer of Dawn

Biggest Disappointments:
Parkway Drive - Darker Still
Architects - The Classic Symptoms Of A Broken Spirit

Favorite Album Cover Art:
Axel Rudi Pell - Lost XXIII
Dark Funeral - We Are The Apocalypse
Evergrey - A Heartless Portrait (The Orphean Testament)
Saxon - Carpe Diem
Stratovarius - Survive

Favorite Guitar Solos:
Little Pretty by Steve Vai from Inviolate
Hybrids by Michael Romeo from War Of The Worlds, Pt. 2
Sahara by Joe Satriani from The Elephants of Mars
We'll Be Back by Kiko Loureiro from Megadeth's The Sick, the Dying... and the Dead!

Top 10 songs:
Passenger                 by Wilderun         from Epigone
Cold Burn                 by Cult Of Luna from The Long Road North
Master of Illusion         by Battle Beast from Circus of Doom
Candlepower                 by Steve Vai     from Inviolate
Deceiver, Deceiver         by Arch Enemy from Deceivers
Electric Again                 by Soilwork     from Övergivenheten
Övergivenheten         by Soilwork     from Övergivenheten
Slaughter the martyr by Machine Head from Of Kingdom And Crown
The Abysmal Eye         by Meshuggah from Immutable
Spillways                 by Ghost         from IMPERA

Favorite Shows: 
Mercyful Fate
Iron Maiden 
Helloween
Zeal & Ardor
Battle Beast

Disappointing Shows: None, after COVID...I think a concert will never be disappointing again in my life.


Saturday, December 3, 2022

THRESHOLD Dividing Lines | Weekly Heavy Metal Album Review


Released by Nuclear Blast Records on November 18th, 2022

Quick Background
Threshold are an English progressive metal band formed in Surrey in the late 1980s. After adding vocalist Damian Wilson to the group, the band's debut album, Wounded Land, was released in 1993. Vocalist Andrew "Mac" McDermott, joined to record 1998's Clone and would remain with them until 2007. Threshold left their longtime label, InsideOut Music to join Nuclear Blast Records, releasing Dead Reckoning, probably my favorite album from them, in 2007. Mac left the band and original singer Damian Wilson returned as Threshold's frontman. Glynn Morgan, the band's former vocalist from 1994 to 1996 and the singer on the band's second album Psychedelicatessen, replaced Damian Wilson for the concept album Legends of the Shires released in September 2017. This was a good album, but quite long and not easy to digest. It anyways received widespread acclaim and record sales for the band. 

Dividing Lines
Now with their 12th studio album, Threshold brings 10 tracks in 65 minutes. As in previous records, they have a good mix of shorter 4 to 6 min long songs and some 10-ish minute epics. Darker, heavier and even more adventurous than its predecessor, Dividing Lines is a more traditional group of songs and not a concept album. "Haunted" opens it and from the get go we can not only hear Threshold trademark prog metal sound but also a clear call back to the Andrew "Mac" McDermott era. What do I mean by that? Well, prominent heavy guitar riffs surrounded by tasteful keyboards intertwined with softer parts with clean or acoustic guitars. Very melodic vocal lines, often sang with a bit of overdrive. All of that generates dynamic songs with tempo and mood changes. For example, "Let It Burn" starts moody but soon picks up with an engaging groove that turns into some heavy verses and a super catchy chorus. 

"Silenced" was released as a single, it's indeed one of the shortest song on the album and pretty straightforward prog rock tune. Great choice for a single. The other single "Complex" returns us fully to old school and makes me think of 2007's Dead Reckoning. While the other single "King Of Nothing" is a bit more radio friendly. "Lost Along The Way" starts as an 80's song reminding me of that era of Rush. It's a slower tempo and more emotional track, it works for me. "Run" follows and maintains the same flavor. 

"The Domino Effect" with 11 minutes is the longest song on the album. The mellow keyboard intro gives away to some heavy riffs, it's almost like Symphony X. The verses are quite mid tempo which works well in contrast to a heavier but catchy chorus. I specially like the 70's prog rock like bridge leading to a very melodic guitar solo. Some Deep Purple style keys help make this metal meets 70's prog rock association. The 10-minute plus closer "Defense Condition" sounds like a leftover track from the latest Damian Wilson albums. Which for the record it's a compliment. It features different passages and great guitar work. 

The Picky Guy
It's difficult for me to complain about this one. Maybe a bit shorter? Less short songs and focus on longer and more adventurous epics? Personally those work better for me. But again, I'm just searching for something to say...

Wrap Up Opinion 
Threshold keeps getting better with time and also takes the opportunity of the recent change of singers to evolve their sound while bringing back elements from the earlier albums. With Dividing Lines they fused their 2nd album signing style with the darker and heavier sound from the late Mac era but the band kept the adventurous side from the recent albums. Musically there's the heaviness of heavy metal acts such as Symphony X and Dream Theater combined with 80's Rush and 70's prog rock and Deep Purple. I just found this melting pot extremely interesting and satisfying. Musically the band is very talented but never overdo it. All in all ne of the top prog metal albums of 2022, a very good album, 83/100. Go check it out.   



SCORE: 83/100
Genre: Progressive Metal
Released by Nuclear Blast Records on November 18th, 2022

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Sunday, November 20, 2022

THERION Leviathan II | Weekly Heavy Metal Album Review


Released by Nuclear Blast Records on October 28th, 2022

Quick Background
Therion is a Swedish symphonic metal band founded by Christofer Johnsson in 1987. Its name was inspired by the Celtic Frost album To Mega Therion. "To Mega Therion" is Greek for "The Great Beast". Originally a death metal band, Therion adjusted its musical style by adding orchestral elements, including choirs, classical musicians, and even a full orchestra at some concert performances. As a result, they are considered pioneers of the symphonic metal genre. 1996's Theli is their masterpiece and one of my favorite albums of all times. But its 1998's Vovin is their most commercially successful album. 

Leviathan II
Leviathan II is the 18th album from the Sweden's symphonic metal pioneers. Named after a giant sea monster from Judeo-Christian myth, Leviathan II follows up the part I released in 2021. As it was the case with Part I, Part II is a simple, straightforward album, 11 relatively short songs in just over 45 minutes. So basically we are being tricked into another triple album, but I appreciate that being released as 3 albums. It will make it much easier to digest them. Part III is expected to be released next year and should be more guitar oriented and heavier. Remember that Part I was a "back to the roots" album and I thought it was a very good one. Part II follows a similar concept, but focus more on the Vovin era with less focus on guitar and riffs and more on the female singers, choirs and orchestration. "Aeon of Maat" for example gives me a "Wine Of Aluqah" vibe. But it's not a song that fully represents the album. Why? Because it is more hard rock oriented than most of the album. On the other hand, it already shows the dominance of female choirs and singers on this album. I really like the guitar focus of this song and also the contrast between the female singers and the hard rock male voice. I just feel the song to be too short, almost rushed to be concluded. The single "Codex Gigas" builds up from this beautiful melancholic melody into a mid tempo gothic song which is full of emotions and melodies. It's another example of great male/female vocal balance. It's the perfect bridge to another single and album closer "Pazuzu". This one is a rocker and written for the male singer to take center stage. "Lucifuge Rofocale" and "Midnight Star" featuring a nice guitar work are also hard rock songs.

Conversely, the single "Litany of the Fallen" doubles down the focus on the female singers. It's really the theme of this album, "Alchemy of the Soul" is another example. Both songs are short and fast tempo. Another single "Marijin Min Nar" and "Hades and Elysium" focus on the symphonic elements and choirs. The cool thing with "Marijin Min Nar" are the many guitar solos underneath, at moments sounds like Malsmsteen is a guest player. It also features this eastern music flavor. 

The Picky Guy
But not everything works on Part II. "Lunar Coloured Fields" for example is a very mellow ballad that goes on for a bit too long. Then "Cavern Cold as Ice" feels a bit too poppy for my taste. Other than that the only complain is that the album is pretty safe and doesn't add much to their discography growth.  

Wrap Up Opinion 
But it does add some cool tunes to their setlist and helps the band to remain relevant after all those years. So, if you are a Therion fan of any of their phases, then you will enjoy this one. I'm actually surprised of so many low rates I have seen for this release. To me it is an 81/100, good album that delivers what Therion intended to do with quality and energy. 




SCORE: 81/100
Genre: Symphonic Metal
Released by Nuclear Blast Records on October 28th, 2022

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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Thursday, November 10, 2022

AVANTASIA A Paranormal Evening with the Moonflower Society | Weekly Heavy Metal Album Review



Released by Nuclear Blast Records on October 21st, 2022

Quick Background
Avantasia is a German supergroup metal opera project created by Tobias Sammet, vocalist of the band Edguy. It has been characterized as a rock opera, as it features the contributions of various vocalists and musicians and it consists of concept albums. Conceived in 1999 as studio-only, two-album project, Avantasia has since released six other studio albums and has toured the world multiple times.

A Paranormal Evening with the Moonflower Society
Their ninth studio album doesn't bring any surprises and it's similar and at par with its predecessor Moonglow (2019). We have the return of singers who have been on several albums: Michael Kiske (23 songs since the first album), Bob Catley (13) and Jørn Lande (22). Ronnie Atkins, Geoff Tate and Eric Martin who have been in most of the last albums are also back. And the new comers are Floor Jansen with two songs and Ralf Scheepers in one.  Tobias Sammet sings in all tracks of course and always with just one other vocalist, except for the closer "Arabesque" which features both Kiske and Lande. So we have 9 singers, 11 songs in 54 minutes. 

As with the last two album, A Paranormal opens again with Meat Loaf-like song, "Welcome To The Shadows". It's also with Tobby as the only lead singer accompanied by a lot of backing vocals and choirs. Track number two was the first single named "The Wicked Rule the Night". This is a fast tempo 80's power metal beast, think of Judas Priest, so consequently the debut singer Ralf Scheepers was the perfect choice to bring that Rob Halford flavor to Avantasia. It also reminds me a lot of Edguy's "Mysteria".

"Kill The Pain Away" is a tailor made song for Floor Janssen, and what I love about it is the fact that it's a powerful fast tempo rocker. I hate the stereotype of using female singers for ballads only, here she like she does in Nightwish or After Forever she demonstrates a powerful but beautiful voice. She is my favorite female singer who doesn't use harsh voice or death metal growls.  It's great to see her in yet another track "Misplaced Among The Angels" which happens to surprisingly be my favorite despite being almost a ballad. I just love the chorus, the vocal melodies and of course Foor's contribution. 

The long time contributors Kiske and Lande are featured in "The Inmost Light" and "I Tame the Storm" respectively. Both are typical and straightforward Avantasia power metal songs that are well crafted for their singers. Another long time contributor Bob Catley returns to sing the title track which has a Van Halen flavor to it specially due to the guitar work during the intro. And as usually in a Catley song, it features a big and epic chorus. 

"Arabesque" closes the album and as the epic 10-min song with 3 singers (Toby, Kiske and Lande) is one of my favorites. I actually wish the album had more songs like this one. It's a dynamic song full of different passages, it gives this middle eastern flavor due to the use of the Phrygian scale. It's just great progressive power metal stuff.  

The Picky Guy
While I am happy there's no female singer ballad on this album, there is a ballad still, "Paper Plane" featuring Ronnie Atkins from Pretty Maids. I really don't like this song which is pity as Atkins has sang some great songs in previous albums. Other than that my only disappointment is that the album seems to be very formulated, in the sense of structure, choices, guests are all very similar to recent albums. Maybe that's intentional to create a 4 album consistent era of Avantasia. In that case I hope to see something a little bit different in the next album. But as always, that's just me being picky. 

Wrap Up Opinion 
Overall it's another very good power metal album from Avantasia. There are no surprises really, but it's fun, well written and executed. To me all songs but one are good to very good. The guests singers have all delivered great performances and the addition of Floor and Ralf was spot on. All in all, 82/100, very good album, anyone who enjoyed the last four albums will like this one and any power metal fan should give it a try.



SCORE: 82/100
Genre: Power Metal
Released by Nuclear Blast Records on October 21st, 2022

Rating System
99 - 100 Perfect
94 - 98 Excellent
87 - 93 Great
82 - 86 Very Good
77 - 81 Good
66 - 76 Mixed
58 - 65 Bad

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