Thursday, April 30, 2015

The Top 12 albums that shaped my musical life

Powerslave by Iron Maiden
What's more perfect than Powerslave's cover? Back when I was 8 I was fascinated by its cover, mostly because I loved drawing and ancient history. Honestly, that's how I got this album in the first place. But then "Flash Of The Blade" and "Rime Of The Ancient Mariner" blew my little 8-year-old mind and I was "into metal" at such an early age. The only explanation I have it's because it was meant to be, it was in my blood. Later I was in love with the whole album and went back and bought all the available releases. From that moment until today, I'd impatiently wait for every Maiden's new studio album. In 1986, after buying everything from the S/T to "Somewhere  in Time", I started searching for bands that would sound like Maiden...Without a shadow of doubt, it is my favorite band of all times.

Appetite for Destruction by Guns N' Roses
Before the internet and when living down in Brazil it was difficult to keep track with what was going on in the US and Europe metal scene. Still, I was frequently checking music magazines and in 87 started to hear about this new band. I was very interested but couldn't buy it in Brazil yet. I remember asking around in a shopping mall and the vendors had never heard of it. Eventually, it arrived and I was addicted to it instantly. It is a great album that brought GNR to the mainstream during the glory days of hard/glam rock. I pretty much lost interest after this record. But more importantly, it opened the door for me to dive into the hard rock genre. I was then buying Def Leppard, Bon Jovi, Great White, Faster Pussycat, Poison, Cinderella, you name it...most of those I don't listen to anymore, but Appetite for Destruction is different, it's actually the only Guns album that I really like it.


...And Justice for All by Metallica
During my first visits to the record shops, AJfA was just being released and highly recommended by the vendors (remember internet didn't exist). So luckily I trusted them and bought it. No surprise that it was love at "first listen". I couldn't stop listening to "Harvester of Sorrow" and soon the whole album. I then moved down the discography and got them previous 3 records. But still today, AJfA is one of my favorite Matallica albums, maybe second to "Master of Puppets". It also opened the door to the thrash genre and got into Testament, Megadeth and Sepultura.

Live in the U.K. by Helloween
During my quest for Maiden-like bands, I bought Helloween's "Live in  the UK". I remembered being blown away by Kiske's vocals. The Keepers are still and will always be the best Helloween and among the top power metal albums of all times. That's when my love for Power Metal was born and would reach its pick in the late 90s.

The Wall by Pink Floyd
Bruce left Iron, Helloween went downhill, so did (in my view) Guns and Metallica. Metal was in crisis, so I started to get interested in the roots of Metal. Deep Purple, Rainbow, Led Zeppelin and so on. But it was progressive rock, starting with Pink Floyd's The Wall that got me hooked. I think everything has been said about this masterpiece. From The Wall I went into their whole discography and  Pink Floyd became one of my top 3 all-time favorite bands. It also open the doors to progressive music in general, specially Rush.

A Hard Day´s Night by The Beatles
I decided to go and explore the roots of rock and started browsing my parents' vinyls and "A Hard Day´s Night" was chosen. They did have other Beatles albums (but no Rolling Stones). To this day, I still love this album. It's not my Beatles favorite, but it was the first, the others followed. The title song and "Tell Me Why", "When I Get Home"  have already a fast pace and "heaviness" for its time.  The same goes for the hit "Can't Buy Me Love" - I used to "cover" it and sing along as a heavy metal song. Back in the day, I was huge fan of the ballads "If I Fell" and "And I Love Her". In sum, a sing along 31-min masterpiece that was the springboard to music, The Beatles, rock and later metal...

Surfing With The Alien by Joe Satriani
Also in the early 90's as I started playing and studying guitar, my taste shifted into not only classic rock but also jazz and instrumental bands. Among those, guitar heroes like Satriani, Steve Vai and Steve Morse were my favorites and "Surfing with the Alien" is the one album that got me started. With the guitar book in hands, I listened to this album over and over again and tried to play along. It is a fantastic album, Satriani at his best.

The Time of the Oath by Helloween
At some point back in 96 I was busy revisiting and enjoying classic rock. But a ride I took with the brother of a friend of a friend, changed my life again. This crazy MF was singing along a powerful song at full volume and I asked - what's this? Sounds great! and He said it's the new Helloween. I couldn't believe it! The band I once loved so much in the 80's was back with a powerful and modern sound. Metal was back, specifically Power Metal. I bought this album a couple of days later and soon after Master of the Rings.

Painkiller by Judas Priest
After Helloween's The Time of the Oath got me back into metal, I realized that the sound I was in love with (specially the singing style) was pretty much influenced by the pioneer Judas Priest. I taped and listened to Painkiller. It later became one of my favorite albums of all times and Priest one of my favorite bands. Painkiller initiated the process and led me to discover their whole discography.

A Tribute to Judas Priest: Legends of Metal
Some time after I got into Priest and back into Metal, a double tribute album was released. This tribute triggered me to discover new bands that became my favorites for the years to come: Fates Warning, Gamma Ray, Mercyful Fate, Rage, Iced Earth, Blind Guardian, and Stratovarius. Those bands started the Power Metal years. It was basically the only sub-genre of metal that mattered to me.

Theli by Therion
I'm not sure exactly when, but with the turn of the century, I started to get a bit bored with Power Metal and its repetitive musical and singing style. As far as I can remember, it was Therion that opened the road to extreme metal and broke the power metal dominance. Of course it was a gradual transition as Therion is not that heavy. But ultimately it was this masterpiece that open the doors to death, black, gothic, symphonic and all the other sub-genres of metal. The album itself is brilliant.

Clayman by In Flames
In the year 2000 when Clayman came out I was living in Canada. I was there not for long and was eager to experience concerts abroad. I heard about an In Flames show and even though I didn't know them, I bought their new album and a ticket. Children of Bodom was opening. This album and show completed the transition that Theli started. I then opened my horizon to any metal band that I would enjoy regardless of sub-genre and with no prejudice. 

Thursday, April 9, 2015

Top Albums of Q1/2015


1. Steven Wilson - Hand. Cannot. Erase.
SW delivers an album that is emotional, dark and musically brilliant with highlight to the fantastic guitars and keyboard. HCE is an absolute masterpiece of modern progressive music.
Highly original and building on SW's style, but with "in your face" influences from  Simon & Garfunkel and late Beatles to Pink Floyd, Genesis, Steve Morse and Led Zeppelin. This musical journey is addictive! Once you start playing the album you want to enjoy the experience from start to finish while entering a sea of emotions with up-and-downs. Kudos!

2. Enslaved - In Times
Without repeating themselves but keeping their signatures, "In Times" is another great addition to Enslaved discography. "Only" 6 songs, with the shortest ticking 8:11! Each of those songs is a journey in itself, with ups-and-downs, that makes the album's 54 min fly by. The pathway into progressive metal continues, but with one new element: A subtle and interesting post-metal influence. Several moments it makes me think of Deafheaven which is fantastic. The clean and growling vocals contrast beautifully over a series of awesome riffs throughout the album. In sum, the Norwegians of Enslaved continue to evolve their magnificent and already proven sound with another masterpiece.

3. Blind Guardian - Beyond The Red Mirror
This album is certainly Blind Guardian's best album in many years. The sequel of the fantastic "Imaginations..." from 1995 has all the traditional BG elements: Epic, big choruses and complex arrangements. Additionally, as in the wonderful opener "The Ninth Wave", BtRM includes orchestra and choirs that beautifully add to mix. But differently than the last few albums, they tuned down a notch in the complexity, actually some songs are very direct and thrashy, like "The Holy Grail". Overall great album for old fans and power epic metal lovers in general.

4. Periphery - Juggernaut: Alpha/Omega
What happens when you put on a blender Meshuggah, Jazz Guitars, Slipknot and melody? Well, that's Periphery's double and conceptual album Juggernaut. But don't get me wrong, the albums are very concise and one song builds on each other. It's actually one album with two parts (Alpha and Omega). I really like the recurring themes and melodies throughout the album.
As previously, the songs mix extreme aggressiveness with melody and catchy choruses. And a bit more accessible than the previous albums. Spencer vocal range and variation of styles is even more impressive than previously heard. The guitar trio led by Mansoor is not only highly technical but also very original. This is where djent meets jazz. Loved the guitar solo on Rainbow Gravity for example. For the sake of modern metal, I hope Periphery stays on track and continue to grow!.

5. Danko Jones - Fire Music
The straight and direct punk-rock from the power trio Danko Jones is very entertaining. The vocal style makes me think that this is Metallica covering Bad Religion. That's not usually my kind of music, but couldn't help headbanging throughout the 37 min of rock-and-roll. Can't wait to see those guys in a summer festival afternoon. Cheers!

6. Neal Morse - The Grand Experiment
The almost 27 min "Alive Again" is the album's highlight. The opener "The Call" and title track are also great songs. The other two, not so much. The Yes and Rush influences are very clear, but in a modern and fresh way. As we would expect the keyboard solos and drumming from Portnoy are fantastic. Highly recommended progressive rock.  

7. Angra - Secret Garden
The fellow Brazilians have had their share of ups and downs and changes. I was never a big fan, but I certainly like many of their songs from different past albums. So when it came to check Secret Garden I was skeptical. But when "Newborn Me" started I was very pleased with the contribution of the outstanding Fabio Lione. And then the guitar solo including a Spanish guitar went by and I was sold. The rest of the record is very solid with fantastic vocals and guitar performances. The cherry at the top are the great contributions from Simone Simons and Doro.

8. Enforcer - From Beyond
The well written and executed speed/thrash metal from Enforcer pleasantly brings us back to the 80's. The thrash riffs and high-pitched vocals are the signatures here. The music is simple and straightforward traditional metal, nothing new. But, it is always great to enjoy this nostalgia from some current good bands.

9. Ensiferum - One Man Army
What I like about Ensiferum's new record is that their folk influences are there, but they don't beat around the bush and essentially deliver a very straightforward death metal. It's headbanging from start to finish while raising your beer glasses.

10. S.O.T.O - Inside The Vertigo
I've always been a fan of Jeff Scott Soto, most notably his contributions to Malsmteen and Axel Rudi Pell. And now he is back with a new band and a much heavier sound than latest works. The guitar riffs are worthy of a Lamb of God album, listen to "Wrath" for example. The almost 9 min "End Of Days" adventures into more epic and progressive areas. And "Inside The Vertigo" brings back the ARP feel. Overall a very strong and heavy record that combines the inspiration of many of his previous bands.